2 de junio de 2013

[Review] Leprous - Coal (2013)


One has heard the phrase "don't judge a book by it's cover" so many times at this point that it has almost lost it's meaning, well, I made that mistake when first looking at the cover for Leprous' new album Coal. Their previous album Bilateral was a very strong contender for my personal album of the year when it came back in 2011. Jeff Jordan (mostly known by his work with The Mars Volta) took care of the artwork last time with his signature saturated-high contrast-bad trip made painting style, and it fit the variety, density and texture of the album perfectly, so when I took a look at Leprous' new cover artwork (also by Jeff Jordan) I thought they had gotten heavier and darker than ever and I expected a lot of double-bass and growling vocals... well I couldn't have been more wrong.
Coal is a completely new direction for the band, much more melodic, softer but also heavier at times and with a strong emphasis on groove not as prominent in their last album. The first thing I noticed when I first listened to the first two tracks was the drumming is very different, for a moment I was sure Leprous had replaced Tobias Andersen, but after checking the credits I was suprised to see that he's still behind the kit.
The drumming, just as in Bilateral, is great yet on a completely different way, with much more groove, laid back at times and less "metal", often sounding a little gospel. The same could be said about the bass, keeping the songs together and adding a lot of groove in between instrumental sections. The keyboards are much more prominent and the building blocks of songs like The Cloak and The Valley, adding to the atmosphere and Einar Solberg's dramatic vocals, who really shines in The Cloak.
There's also a great change in the songwriting, with the songs being more focused, each instrument making it's way into the sound the band creates before reaching an instrumental climax near the end.
In short, Leprous has managed to surprise me with this album, setting aside the pressure of crafting a follow up to 2011's Bilateral with a strong new direction and complete cohesiveness.

8.5/10



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